By Farooq A. Kperogi, Ph.D. Nigeria undoubtedly has one of the world’s worst designed flags. It is unimaginative, aesthetically unpleasan...
By Farooq A. Kperogi, Ph.D.
Nigeria undoubtedly has one of the world’s worst designed flags. It is unimaginative, aesthetically unpleasant, and sterile in imagery and symbolism. It is one of only few national flags I know that repeat one bland color twice and that does not faithfully depict the culture, peculiarities, and history of the people it purports to typify.
Nigeria undoubtedly has one of the world’s worst designed flags. It is unimaginative, aesthetically unpleasant, and sterile in imagery and symbolism. It is one of only few national flags I know that repeat one bland color twice and that does not faithfully depict the culture, peculiarities, and history of the people it purports to typify.
This may seem like a trivial subject-matter--and maybe it is-- but
recent events in Nigeria should cause us all to question our representational
images and the relation of those images to our experiential realities. As
children in primary school, we were taught that the green in our flag
represents agriculture and that the white represents peace. Contemporary
Nigeria, as we all know, is anything but an agricultural and peaceful country.
But before I dissect the representational
inexactitude of our flag, let me examine its creativity deficit. I have never
been able to wrap my head around the justification for the repetition of the
color green in our national colors. You would think the color green was in
danger of going out of circulation and needed to be captured and curated on a
flag—or that the scores of color types that could be worthy symbols of our
everyday realities suddenly developed wings and took a flight from the earth.
Are colors
the only symbolic representations we can invoke to depict our culture,
peculiarities, and history? What about the awe-inspiring, time-honored rivers
that course through the length and breadth of our country’s landscape; the rich,
labyrinthine tapestry of our history; our uniquely sumptuous culinary treats;
our valiant pre-colonial empires and their extravagantly elegant royalty; our
creative orthographic inventions such as Ajami
in northern Nigeria and Nsibidi in
southeastern Nigeria?
What about our rich ethnic and linguistic diversity? What
about the creative genius of our art and craft and the fascinating
meteorological diversities of our regions? And so on and so forth. Why is none
of these captured representationally on our national flag?
It takes little or no imagination to design a flag
with two mind-numbingly commonsensical colors. In fact, it takes a spectacular
lack of imagination to design the kind of uninspired and uninspiring flag that
Nigeria hoists. It fills me with enormous shame that we call that irredeemably
nondescript esthetic embarrassment our national flag. Yet, a certain
73-year-old man by the name of Michael Taiwo Akinkumi, who claims to have
“designed” our national flag, perennially bewails that he has not been
sufficiently rewarded by the Nigerian government for his “genius.”
During every Independence Day celebration, our
newspapers never fail to tell us how Mr. Akinkunmi, an Owu man from Abeokuta
who lives in Ibadan, is mired in grubby poverty in spite of having the “distinction”
of “designing” Nigeria’s flag. If I wasn’t brought up to respect old age, I
would have suggested that we start a national ritual of flogging the man every
October 1st until we come up with a more creative and befitting
national flag!
To be fair to the man, though, his original entry,
according to the Wikipedia entry on the Flag of Nigeria, “had a red sun with
streaming rays placed at the top of the white stripe.” But the judges, who
chose his design as the best out of thousands of entries, removed the red sun.
Any wonder we’ve been enveloped by metaphorical and literal darkness since
independence? I imagine that the judges were British colonialists, since this
competition took place in 1959 when Nigeria was still under the yoke of British
colonialism. What could be the judges’ motivation for foisting a bland,
colorless (never mind that it has two colors!), and uninspiring flag on us?
Your guess is as good as mine.
But we have been “independent” from British colonial
rule for 52 years now. Isn’t it about time we rethought the colors and design of
our national flag? For one, it is a holdover from colonialism; it wasn’t a
product of a post-independence effort. Since we changed our colonially inherited
national anthem (which, sadly, is worse than its predecessor in content,
cadence, and creativity) we can also change our national flag. It isn’t a
sacred symbol, after all. In any case, it’s customary for countries to redesign
their national flags—if they have a reason to. Britain’s national flag, for
instance, has been changed many times since 1603 when it was first designed.
And we have many good reasons to change ours.
Nigeria is no longer the agricultural country it was when the flag was conceived
and designed. The groundnut pyramids of the pre-independence and
post-independence eras in northern Nigeria have evaporated into thin air. The
cocoa farms in southwest Nigeria have been lost irretrievably. All over Nigeria,
we have condemned ourselves to subsistence farming.
So agriculture—or whatever
the green in our national flag represents—isn’t a faithful representation of
who we are now. It’s doubly shameful that we have repeated that representation
twice in our flag. If anything needs representing on our flag, it is a color
that signifies our dependence on oil. Of course, that, too, would be
shortsighted since oil is a fleeting natural endowment.
And peace? Oh, please! Given the mindless,
ever-present, fratricidal bloodshed that has been our lot since
independence—and that seems to be deepening with every passing day—we should
spare the world the horror of calling ourselves a peaceful nation.
We have no business having a green-white-green
national flag.
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