By Farooq A. Kperogi, Ph.D. Twitter: @farooqkperogi My column from three weeks ago provoked a conversation at a scholarly online for...
By
Farooq A. Kperogi, Ph.D.
Twitter: @farooqkperogi
My column from three weeks ago provoked a conversation
at a scholarly online forum about the meaning, history, and utility of Standard
English and about why we should continue to use English as our language of
instruction at all levels of education in Nigeria. I will expound on Standard
English this week and devote next week to discussing the benefits and drawbacks
of instruction in our native languages.
So what exactly is “Standard English”? Well, Standard
English is the English that is taught in schools, that is codified in grammar
books (starting from about the 18th century, as I will explain further), that
is "curated" in dictionaries, and that is privileged in and
popularized by mainstream media.
Being a "native English speaker" isn't the
same thing as being a speaker of Standard English. They are different. Many
native speakers don't speak Standard English; they speak their regional
varieties, which are not necessarily compatible with Standard English. With
formal education, exposure to mainstream media, and circulation within educated
circles they learn Standard English. There is, therefore, strictly speaking, no
native speaker of Standard English. It's a consciously learned variety of
English, although it is true that it is made up of parts that are drawn from
different native regional varieties.
Nothing that is as elaborately systematized,
formalized, and methodically learned as Standard English can be truly
"native" to anybody. What is truly "native" is rarely
formally learned; it is often effortlessly acquired. That is why
"nativity" isn't always a guarantee of proficiency in Standard English--which
is basically, as I pointed out earlier, a mishmash of a multiplicity of
regional dialects with a dash of Latin-inspired grammar rules.
That is also why many native English speakers who
aren't self-conscious, methodical learners of the language do poorly in English
grammar tests, and why non-native speakers who study English grammar
systematically can--and do--teach native English speakers "their" own
language. Plus, there is a plurality of standard varieties of English (such as
British, American, Australian, Indian, etc.), even though there is a notional
international standard variety, which is perpetually dynamic.
Nor is this unique to English. Modern Standard Arabic,
for instance, is (in)famous for its lack of "native speakers." Like Standard
English, it's an amalgam of several regional Arabic dialects. It is formally
taught in schools and is used in the mass media, but no one speaks it outside
formal contexts in the Arab world.
Shakespeare
didn’t speak or write Standard English
Standard English is a relatively recent phenomenon. William
Shakespeare, reputed to be the greatest writer in the English language, didn’t
speak or write Standard English. I know this sounds counter-intuitive on the
surface. How can the greatest writer in and of a language be said to not speak
or write the standard variety of the language? Here is why.
There was no "standard" English in
Elizabethan times when Shakespeare lived. There were several regional dialects
of the language, as there are now, but none was purposively privileged and
codified as the "standard."
Shakespeare wrote in the London dialect, although his
grammar and orthography, like those of his contemporaries, weren't always
consistent since there was no conscious codification of grammar and spelling at
the time. He didn't even spell his name in a consistent manner. He variously
spelled it as "Shakspe," "Shakspere," Shaksper,"
"Shakspeare," and "Shakespeare." Eighteenth-century
grammarians and printers preferred the last one, and that's what we know today.
The idea of a "standard English," that is,
the overt codification of the language through grammar books and dictionaries,
inspired largely by Latin, didn't start until the 18th century, although the
term "standard English" didn't emerge until the 19th century. In
other words, Shakespeare antedated Standard English by at least a century.
For an idea of
how contemporary Standard English differs radically from the English
Shakespeare spoke and wrote, read my August 9, 2015 column titled, “Shakespearean Expressions that Sound Illiterate by Today‘s Standards.”
Here is a sample of what I
wrote in the column: “Double negatives. Use of double negatives (such as ‘I don’t
know nothing’ or ‘I don’t like nobody’ or ‘I don’t need no grammar lesson’) is
one of the biggest grammatical taboos of contemporary Standard English. We are
taught that two negatives cancel each other out to produce a positive, so that ‘I
don’t know nothing’ would mean ‘I know something,’ ‘I don’t like nobody’ would
mean ‘I like somebody,’ and ‘I don’t need no grammar lesson’ would
mean ‘I need a grammar lesson.’
“But double negatives
were used for emphasis and intensification of meaning [in Shakespeare’s time],
and that tradition survives in nonstandard, low-prestige English varieties
(such as Appalachian English, African-American Vernacular English also called
Ebonics, Cockney, etc.) and in pop music.
“Like other English
users of his time, Shakespeare used double negatives for emphasis. In Henry IV Part I, he wrote: ‘Nor never could
the noble Mortimer/Receive so many, and all willingly.’ And in Richard III, he wrote: ‘You may deny that you
were not the mean/Of my Lord Hastings' late imprisonment.’ If he lived now, he
would most certainly have written, ‘You may deny that you were the mean/ Of my
Lord Hastings' late imprisonment.’
“5. Double comparatives
and double superlatives.
As I wrote in my July 19, 2015 article [titled ‘Response to the
Critique of my Critique of Buhari’s Inaugural Speech,’] in modern grammar, it’s
taboo to modify an adjective using ‘more’ and the ‘er’ suffix simultaneously,
such as ‘more taller.’ That is called the error of double comparatives. It’s
also taboo to modify an adjective using ‘most’ and the ‘est’ suffix
simultaneously, such as ‘most tallest.’ That’s called the error of double
superlatives.
“As Kenneth G. Wilson
points out in The Columbia Guide to Standard American English, ‘Shakespeare
… and other Renaissance writers used double comparison to add vigor,
enthusiasm, and emphasis, and so do young children and other unwary speakers of
Nonstandard English today, but the eighteenth-century grammarians seem to have
prevailed, and one comparison per adjective is all today’s Standard English
will allow.’
“Apart from the ‘most
unkindest cut of all’ that I mentioned in my article of July 19, several examples can be
found in other Shakespearean works. For example, in The Tempest, Shakespeare wrote: ‘And his more
braver daughter could control thee.’ In Julius Caesar, he wrote: ‘With the most
boldest and best hearts of Rome.’”
What came to be known as "standard" English,
from the 19th century on, is, of course, no more than the arbitrary social
dialect of the dominant class. That's the Marxist in me talking. Of course,
many linguists have pointed to this fact years ago. But the pragmatist in me
also sees the utility in having some form of uniform standards of usage,
spelling, and grammar to aid mutual intelligibility across vast swathes of the
world, especially given English’s emergence as the world’s de facto lingua
franca.
The various dialects of a common language can become mutually unintelligible
over time, so a "standard" version of the language in the service of
broad communicative inclusivity often helps.
But standards aren't fixed in time and space; they
perpetually evolve, and will continue to do so. A language that does not evolve
sooner or later dies. That's a universal linguistic truth.
But this fact is no
reason for linguistic anarchy, in my opinion. At any point in time, for purely
communicative reasons, we need a set of formal rules to guide usage, at least for
formal contexts. These formal rules of usage have no native speakers. We are
all learners.
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